From the moment FDA issued the Deeming Rule regulating ENDS, Logic has been engaged in a robust and committed effort to comply with all FDA requirements. Logic has always supported effective, proportionate and evidence-based regulation of ENDS (Electronic Nicotine Delivery Systems). Logic is reviewing the FDAs determination and rationale before taking further action. Additionally, Logic received marketing denial orders (MDOs) for flavored products that are not currently on retailers' shelves. At the FDAs discretion, products like Logic's menthol capsules can continue to be marketed while under review. While Logic received marketing orders for its tobacco-flavored products, it is still awaiting a determination from the FDA on its menthol products. This underscores years of scientific study and research dedicated to ensuring that adult consumers have access to Logic products. The FDA stated in its press release: "The FDA's review of the applications for the products authorized today determined that the marketing of the tobacco-flavored products and associated components is appropriate for the protection of the public health."Īs the FDA confirms, Logic's products are appropriate for the protection of public health. In Pic 2, notice that I have instantiated a Gain plug-in on each of my auxes for sub-mixes and adjusted them.TEANECK, N.J., Ma/PRNewswire/ - After five years, many studies and clinical trials and more than 200,000 pages submitted to FDA, Logic Technology Development, LLC ("Logic") is excited to have received marketing orders for the Logic Pro, Power, and Vapeleaf devices, as well as their tobacco flavored capsules. Trust me, all this automating is a lot of work!Īnd yet, sometimes, indeed often, with scoring to picture projects I still may not have all the levels right or I may wish to create alternate mixes depending on picture considerations, like dialogue or producer/director critiques. In most of the libraries I use, Expression controls not only volume but timbre as well.Īs you can also see for further sub-mixing, I have created auxes that all the voices, strings, brass and percussion are outputted to and I have used Logic Pro's track based automation to automate those auxes volume without affecting timbre. Since these are orchestral library samples I am composing with, I have performed with MIDI draw, Logic Pro's region based automation, lots and lots of CC 11 (Expression) moves to control the volume in a (I hope) musical fashion. #LOGIC PRO HELPLINE PRO#You see only ten tracks, but if you look at the numbers in the Track Headers, you can see that the first four are Folder Stacks, a great new feature in Logic Pro X, so that in reality they represent about thirty tracks. In Pic 1, you see the Main window (formerly the Arrange window in earlier Logic Pro versions) of one of my Logic Pro X projects. It does lots of useful things, like phase inversion, balancing incoming signal between the left and right channels, swaps the left and right output channels and even gives you summed mono when you need it.īut most of the time we use it to perform one very simple but helpful task, which is to either amplify or reduce the signal for level adjustments by a specific decibel amount. Now the Gain plug-in is not just a one trick pony. And yet, buried in the Utility plug-ins folder is a little CPU efficient gem called the Gain plug-in that solves so many mix problems as to be almost indispensible for users like me. In each subsequent version of Logic Pro there are always new and exciting bells and whistles that Apple touts that has new users buzzing and in the case of plug-ins like Amp Designer, Pedalboard, and Drummer, it is quite understandable, as they are terrific sounding and very sexy.
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